Verónica Marcano
Four ragged vertical lines of gold and cream rising from the lower edge of a deep blue field, each ending in a small flare, like burnt-down tapers of different heights.

What Could Have Been I

Four ragged vertical lines of gold and cream rising from the lower edge of a deep blue field, each ending in a small flare, like burnt-down tapers of different heights.

The series she is finishing now, and the work she wants to exhibit as a group: the migration out of Venezuela, the disappeared, and the people killed in the protests against the government between 2014 and 2024. Gold leaf runs through all of it, and it is not decoration.

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Details

Year
2024
Medium
—
Support
—
Dimensions
—
Catalogue
—
Series
Venezuela
Line
The body in movement

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A flat gold suitcase, seen square on, centred on a deep indigo ground. Inside it a disc of gold leaf carries dark diagonal bars across its face, like the griddle marks on a flatbread.
Emigration2025
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On an ultramarine ground, about thirty small outlined rectangles arranged in a radiating ring, each containing a single continuous cream line drawing a human figure — upright at the outer edge, bent, folded and collapsed towards the centre.
Torture Studies2024
A grid of cells ruled in gold on ultramarine, each holding one figure drawn in a single gold line. Read down the rows the figures go from standing and walking, to crouching, to kneeling, to lying flat.
Never Forget2024
Small copper single-line figures scattered across a flat ultramarine ground in loose rows, with empty copper-outlined rectangles standing in the gaps between them where figures would be.
History Will Remember2024