Verónica Marcano
A flat gold suitcase, seen square on, centred on a deep indigo ground. Inside it a disc of gold leaf carries dark diagonal bars across its face, like the griddle marks on a flatbread.

Emigration

salí con mi arepa debajo del brazo

A flat gold suitcase, seen square on, centred on a deep indigo ground. Inside it a disc of gold leaf carries dark diagonal bars across its face, like the griddle marks on a flatbread.

One continuous line, drawn without lifting, in gold or cream or copper on flat ultramarine. Drawn that way a figure is fast, light and slightly comic — until it isn't. In 2024 the same line produced the Venezuela paintings.

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Details

Year
2025
Medium
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Dimensions
—
Catalogue
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Line
The body in movement

Other work in this line

See all 11 →
On an ultramarine ground, about thirty small outlined rectangles arranged in a radiating ring, each containing a single continuous cream line drawing a human figure — upright at the outer edge, bent, folded and collapsed towards the centre.
Torture Studies2024
A grid of cells ruled in gold on ultramarine, each holding one figure drawn in a single gold line. Read down the rows the figures go from standing and walking, to crouching, to kneeling, to lying flat.
Never Forget2024
Small copper single-line figures scattered across a flat ultramarine ground in loose rows, with empty copper-outlined rectangles standing in the gaps between them where figures would be.
History Will Remember2024
One tall figure drawn in a single broad gold line on ultramarine, standing with its hands held behind its back, surrounded by a halo of brushed darker blue that echoes its outline.
Venezuela2024